Scarves, a drum, a great deal of hopping. We call it dancing because to them it absolutely is, and the listening comes along quietly.
First positions and first shuffles. Classes run forty-five minutes because that is how long forty-five minutes of attention lasts.
Where technique quietly starts to matter, the barre becomes a friend, and jazz on Tuesdays keeps the whole thing joyful.
Serious training for dancers who want it. Pointe is by invitation, when the feet and the teacher agree, and never before.
Evening classes for beginners and returners. No one is watching, everyone is in it, and the plié still fixes most things.


| Day | Time | Class | Room |
|---|---|---|---|
| Monday | 3:30 pm | Creative Movement (3–4) | A |
| 5:15 pm | Ballet 1 (8–12) | A | |
| 7:00 pm | Adult Ballet | B | |
| Tuesday | 4:00 pm | Tap (5–7) | B |
| 5:00 pm | Jazz (8–12) | B | |
| 6:00 pm | Teen Contemporary | A | |
| Wednesday | 5:00 pm | Ballet 2 (8–12) | A |
| 7:30 pm | Adult Contemporary | B | |
| Thursday | 4:15 pm | Pre-Ballet and Tap (5–7) | B |
| 5:30 pm | Teen Pointeby invitation | A | |
| Saturday | 9:00 am | Creative Movement (3–4) | A |
| 10:00 am | Ballet 1 and 2 (8–12) | A | |
| 11:15 am | Teen Ballet and Contemporary | A |
This is the live timetable, not a PDF from last fall. When a time changes, we tell our site agent once and it updates the same day. Not sure which level? Ask the desk and we will place you.
Any class, any age. No card on file, no trial-week bundle, no follow-up calls. Stand at the barre, hop in the circle, or take Thursday adult ballet on the way home. If it fits, we will talk about the rest. If not, you danced for an hour and it cost nothing.
Save me a spot Or call (555) 555-0141 and tell us the age and the class.Second Saturday of June, one show, a real theater with a real curtain. Every class performs one piece it actually learned in class, so rehearsals never eat your spring.
Nobody is a tree unless they want to be a tree. Solos are earned quietly, not auctioned. Tickets are twelve dollars and the front row belongs to grandparents.
Costumes: $55, ordered in January, worn once with enormous pride. The only recital cost.
Director · Ballet and Pointe
Ten years of principal roles with a touring classical company, then a teaching certificate she claims was harder to earn.
Sees the dancer hiding in the back row, and knows exactly how long to wait.
Tap and Jazz
Twelve seasons of musical theater stages and one famously loud pair of tap shoes, resoled four times.
Counts you in, laughs the loudest, notices every clean pull-back.
Contemporary
Eight years with a modern repertory company and a choreography degree she actually uses, mostly on the teens.
Starts every class with one minute of quiet. It works.
For littles, anything you can move in and shoes that stay on. From Level 2, a leotard and tights in any color you love; we care about clean lines, not matching pink. Adults, leggings and socks are fine.
Twice a term we open the doors and you watch the whole class, not a phone video of it. The other weeks the door stays closed, because focus is a skill we are teaching too.
Off the face and out of the eyes, so we can see them. A bun is lovely, a ponytail is fine, and the desk keeps a jar of spare elastics for the mornings that got away from you.
No family pays more than $320 a month, however many of you dance.
Siblings, parents taking the adult classes, all of it counts toward the cap.
No recital fee surprises.
Tuition covers classes, rehearsal, and the show itself. The only extra all year is the $55 costume, and you hear about it in January, not May.


Write or call with an age and an itch to move. We will suggest a class, save a spot at the barre, and leave the rest to the room.